Artist
Statement
Growing up in Latin America, things like color,
music, family and religion were deeply woven into her own "life
weave”. She finds herself constantly drawing links between
her photographs, found objects and words to the many layers of
emotional and verbal communication in her life while mirroring
an experiential connection with the lives of others. In her 2
and 3D Photographic Mixed Media Art, Gloria is most concerned
with the concept (…the emotion, the statement, the theme)
she is trying to convey. She takes her photographs and is most
resourceful at finding objects or writing words in English and
in Spanish that will best support her story. In many ways she
is a “storyteller” letting her own deep emotions come
through to the surface.
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Biography
Born and raised in Mexico City in a Cuban/Mexican
family, she came to the United States to study Art & Design
at the Art Center of College of Design (LA) and Parsons (NY).
Then spent 25 years as a designer/creative director developing
images for major brands. This experience has added methodology
and diversity of thought to her mixed media work today. Her work
is conceptual and has been shown at the Aldrich Museum of Contemporary
Art (CT), the Silvermine Guild Arts Center(CT), Westport Arts
Center (CT), Center for Contemporary Printmaking (CT), Simone’s
Gallery (NY), Citibank (NY) among others. It is owned by private
collectors in NY, CT, FL and Mexico. She has been published in
the New York Times, the Stamford Advocate and many regional Publications.
Last year she was a speaker in a panel at Southern Connecticut
State University during the national conference on Women, War
& Peace. She is currently doing research for a special project
called “Life Weave”. She is interviewing other Latin
American Women (in the tristate area) of all ages and social/economical
status to eventually create a piece which represents how the fiber
of their life has changed now living in the United States.
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Selected
Exhibitions
Contemporary Women Artist Exhibition XIII, March
2005Mad Art Gallery, St. Louis, MO, Juror: Judy Chicago
“Leaving Our Mark” Solo Exhibition/Artist
Gallery Talk, January 2005 Westport Arts Center, Westport, CT,
Juror: Robbin Zella, Director of the Housatonic Museum of Art,
Bridgeport, CT
“New Members Show”, January 2005 Silvermine
Guild of Art, New Canaan, CT, Artist Gallery Talk
“The Heart”, January 2005 (WCA Exhibition),
City Lights Gallery, Bridgeport, CT
“Women Power and Politics” October
2004 (WCA Show)
Lyman Center for the Performing Arts, SCSU, New Haven, CT
“Spectra ‘04” Nat. Photography
Triennial November 2004 Silvermine Guild of Art, New Canaan, CT
Curator: Barbara Hitchcock
Celebrating Hispanic History Month “Spirituality
in Latin America”,
September 2004
The Small Space Gallery, Arts Council of Greater
New Haven
Curators: Debbie Hesse, Manny Rivera.
“Mexico Today and Yesterday” September
2004
Bendheim Gallery at the Greenwich Arts Council, Greenwich, CT
Curators: Benjamin Ortiz, Reyna Henaine and Nan Lvoff
“Featured Artist of the Month” August-
September 2004 RiverWinds
Gallery, Beacon, NY, Curator: Elisa Pritsker
“Earth, Air, Water & Fire”, July-August,
2004 The Great Hall Gallery” Westport, CT, Curator: Gloria
Santoyo Ruenitz
“Known & Unknown” June, 2004 Betty
Barker Gallery, Waveny Park, New
Canaan, CT, Curator: Cecelia Barnett Artist Gallery Talk
“6 x 6” June, 2004 (WCA exhibit) ArtSpace,
New Haven, CT
Women’s History Month March 2004 Benefit
for “Equality Now”, Locus
Media Gallery, New York, NY, Curator: Marcia G. Yerman
“Winners Circle” March 2004 Ridgefield
Guild of Artists, Ridgefield, CT, Curator: Debra Browne
“24th Annual Photography Exhibition”
February 2, 2004, The New Canaan Society for the Arts (Betty Barker
Gallery) New Canaan, CT, Juror: Charles Hagen
“Coming Together: Women Telling their Stories”
January. 2004, Innovation Center, Bridgeport, CT, Curator:Robin
Gilmore Jopp
Women, War & Peace, Lyman Center for the Performing
Arts, Southern CT
University, Panel speaker and art exhibitor, Oct. 2003
Ridgefield Guild juried Show, Oct. 2003 Ridgefield,
CT Award of
excellence, Juror: Lisa Streitfeld
Women's Work Exhibit (WCA-CT Exhibit), August
2003, The Ridgefield Guild of Artists, Ridgefield, CT Artist Gallery
Talk ,8/31., Curator: Debra Browne and Jackie Flatow
The Big Show, June 2003 Westport Arts Center,
Westport, CT
Juror: Adam Weinberg (formerly a curator
at the Whitney, NYC)
"Objects & Images", May 2003 White
Silo Farm, Sherman, CT (WCA Exhibit)
"Found Object Art", April 2003 Guilford
HandCraft Center, Guilford, CT
Curator: Arthur Burke and Arthur Guagliumi
"The Common Thread", January 2003 Westport
Arts Center, Westport, CT
Curator: Rhonda Brown and Tom Grotta
"Glorious Gloria's", January 2003 Installation
at YogaSpace, Brookfield, CT, Artist Gallery Talk.
"Viewpoints", November 2002 Award Northern
Westchester Center of the
Arts, Mt. Kisko, NY Curator: Susan Cross (Associate Curator/The
Guggenheim Museum)
"Hispanic Heritage Month", November
2002 Citibank/Greenburgh Branch,
White Pl. NY, Curator: Simone Dewey
"Celebrating Latin Culture & Diversity",
October 2002 Simone's Gallery,
Pelham, NY, Curator: Simone Dewey
"Prints from Within II", February 2002
Connecticut GraphicArts Center,
Norwalk, CT, Curator: Benjamin Ortiz
Snapshot, January 2002 The Aldrich Museum of contemporary
Art (organized by the Contemporary Museum in Baltimore), Associate
curator: Jessica Hough
Spectra ’01 Nat. Photography Biennial/Silvermine
Guild Arts Center, New Canaan, CT Curator: Marianne Brunson Frisch.
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Publications
The New York Times, 10/29/01 "Photos and
More, at a Biennial Event" by
William Zimmer. Some of the work that uses photography as one
of
several elements is Gloria Santoyo Ruenitz’ “Let Me
Out”. It uses an
unidentified black-and-white portrait visible through the glass
of a
display case with a prominent lock..
The Ridgefield Press, 1/17/02 "Aldrich Shows
open on Sunday, Snapshot".
The Ridgefield Press, New Canaan Advertiser, The
Darien Times, The
Wilton Bulletin, the Redding Pilot, The Weston Forum (CT), 2/06/03
"Something New".
Good Living Minuteman Newspapers, 2/06/03 Must
see exhibit at Westport
Arts Center: "The Common Thread: Discovering Fiber Art in
Contemporary
Art".
Housatonic Living, 2/21/03 "Glorious Gloria,
Transformation of two
Glorias" By Jamie Ferris “I want to express what I
see in an evocative way; to
tell the story of the events, but to let the viewer read it and
let it
tell the their own story – let it speak to them”.
Ridgefield Press 6/26/03 Arts & Leisure, "And
now a really Big Show"
Ridgefield Press, Danbury Press 8/28/03 "Women's
Work" Stamford
Advocate 9/07/03, "Preparing fertile ground in Ridgefield".“Her
art
expresses a personal vision of the metamorphosis of “Women’s
Work”,
from outer-directed to motivated from within, which makes her
vision
the most compelling in the exhibition, By L.P. Streitfeld
The News Times, Danbury, CT, 10/12/03 by Eileen
Fitzgerald “Women War
and Peace”.
The sign, Art Saves Lives, sits under a brick
fireplace in the
Ridgefield studio of mixed media artist Gloria Santoyo Ruenitz.
It’s a
glimpse of the philosophy of the artist who will take part in
an
exhibit and discussion on the “Impact of Art in Times of
War” at
Southern Connecticut State University. “The role of the
artist, is to
convey the pain people are feeling, to use ourselves as translators”,
Ruenitz said..” I tend to work with conceptual pieces, then
I decide
how to embody these. I walk to a junkyard, take a photograph of
someone”, she said. “The medium is another tool to
convey the ideal”.
Stamford Advocate 1/16/05, "Silvermine welcomes new blood".
, By L.P.
Streitfeld “Gloria Santoyo Ruenitz, a new female voice that
has risen
in the region, displays two works that nicely sum up her talent
in
using unexpected materials from everyday life to elicit erotic
connections from her personal autobiography.”
Arts Fairfield County Weekly by Brita Brundage.
Westport Art Center’s
Solo Exhibitions 1/20/05 “Sometimes an artist is more committed
to
concept than form, and this is certainly true for Gloria Santoyo
Ruenitz and her installation “Leaving Our Mark” which
consists of black
and white photos of footprints in sand and a box of sand which
sits on
the ground for visitors to leave their own marks. What strikes
a viewer
here is how small certain feet are, and how fossil-like the imprints,
yet how impermanent…. It’s the sort of art that leaves
a lot of
questions hovering behind it.
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Education