
For Immediate Release
For Further Information, please contact Pamela Siemon 203.263.3449
First CT Venue for Boston painter and Tennessee
Sculptor
Woodbury, CT - Fenn Gallery will feature abstract
encaustic paintings by Patricia Carrigan and will be the first CT
venue for contemporary landscape artist Dido Thayer of Boston, MA,
and sculptor Carrie McGee of Nashville, TN. The show runs from May
15 - June 22, 2008.
Carrie McGee’s work bridges the gap between
painting and sculpture. To create her paintings, McGee lays translucent
acrylic blocks in a bath of water and puts metal objects on the
acrylic which leave rust outlines and stains she doesn’t entirely
control. She then adds oil paint to build up luminous and translucent
color arrangements. Groupings of these blocks are suspended along
wires hung inches from a wall or ceiling in grids or strands to
stunning effect. Transparency is central to McGee’s work.
By hanging the constructions several inches off of the wall, light
has the room to reverberate - to not only enter from the front,
but to reflect back to the viewer as it bounces off the wall. While
painters like Mark Rothko manipulated pigment hues to create the
illusion of light shining through the back of a painting, McGee
uses existing architecture and light to create this affect.
For Patricia Carrigan painting is about telling
stories and recalling memories, either real or imagined. The encaustic
is medium lends itself to Carrigan’s layered approach to visual
storytelling, where the dense and scraped surfaces of pigmented
wax suggest the distortions of time and memory which color stories
over time. Her recent work was inspired by her artist residencies
in Ireland, where she was exposed to the vast and mysterious beauty
of the countryside, and influenced by ancient folklore. These inherent
qualities of the land are evident in her new paintings which evoke
ancient worlds of mystery and sacredness. Carrigan received her
M.F.A. from the University of CT in 1994, and her work has been
reviewed most notably in The Boston Globe, 1996, The New York Times,
1995 and Art New England, April/May 1999.
Also on display are the emotionally evocative and
haunting landscapes by Dido Thayer. Thayer is known for her use
of Venetian plaster as an under layer in many of her paintings which
imparts a richly textured and earthy ruggedness to the surface of
her panels. Although inspiration for her subject matter is often
drawn from nearby fields and marshlands, her paintings depart from
pure realism to intensify the moody and dreamlike quality of these
places. Her images are not what her eye has seen and replicated,
but what memory would have recalled and imagination would have modified.
Thayer is far more interested in conveying the atmospheric effects
of these places than she is providing details of an actual scene.
Thayer received her BFA in painting from the MA College of Art,
1994 and pursued postgraduate studies at Harvard College, School
of Visual Arts and Environmental Studies.
###
|